Photoshop Tutorials: Working with Layers

 Now we can do complex compositions with ease and do multiple changes to any part of our design. Before we had all this, it was not that easy. If a client wanted to change anything on your proof, you’d be in a situation when you’d need to start again. Today, we can give our elements extra adjustment layers, quick mask, turn them into Smart Vector with Smart Filters, it has become nice and easy to get the results we set to achieve. However, the more the layer, the more the chaos that it can bring. A key to organised workflow lies in mastering the main file you work on. It could be easy to get lost in multiple layers; by being efficient you should avoid the headaches and lost time fishing for the parts of your design, especially in situations when your design is rather elaborate. Furthermore, you have to ensure your file is easy to understand to any person down the line, for example if you work in the team or with developers who transfer your design into working website, how can you do that?

 First of all, any new layer should be correctly named as soon as it’s created. Although not always the actual working practice, especially when you’re a spontaneous digital artist, it creates extra work later. Create a new layer by Shift+Cmd+N, put in the right name in the pop-up dialog box. Alternatively, use the icon at the bottom of the Layers palette and double-click to rename. It’s advise to also have a custom shortcut for the Layer properties, where you can also colour-code your layers. There’s an array of colours to choose from, enabling you to assign each type for hidden layers, spare parts or alternative options of each layer. They can play a crucial part in team work, to inform others working remotely in the team which parts of the design have been done and which require attention. If an element is made up of many small parts, simply group them together for easier movement within the document.